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A Brief, Informal,
Probably Incomplete History of WESU
Introduction
During the negotiations regarding NPR programming, it became obvious to
the board of WESU that the station was dangerously unaware of its own
history. The attempts to pinpoint legal facts such as the ownership of
the license and the transmitter unearthed the rich history of the
country’s second oldest college radio station, a history of which even
the board was unaware. The reconstruction of WESU’s archives has since
become a major priority of the board in an attempt to revive the unique
and eclectic identity that has defined the “ESU” call letters for over
60 years. To be a part of the WESU legacy is to be a part of college and
independent radio history, and, to that end, this brief document is
intended to convey WESU’s history as we best know it.
One last note before I begin: the reconstruction of the WESU archives is
an ongoing process. There are still hundreds of pages of records that
need to be organized, and still several records and documents that have
not yet been found. As such, this history is not yet complete. Some of
the stories contained within are anecdotal, and I will try to indicate
which stories those are. Also, this document is by no means
comprehensive. There are many more stories that, for one reason or
another, were not crucial to this document, and are not included. So if
you’re still interested, go and request the WESU file at Special
Collections in Olin Library, or come track me down and get me talking.
This radio station has always been a creative, experimental, outspoken
place.
So, welcome to WESU.
-Evan Simko-Bednarski,
Archival Officer, 2005
President, 2005-2007
Mischievous Beginnings
WESU began its life as a mischievous idea in the minds of our founders,
two young men living in Clark Hall in 1939. Inspired by the first
college radio station in the nation (which, anecdotally, was at Brown
University, though this hasn’t been confirmed), they hooked a small
transmitter up to a phonograph. In order to broadcast to the whole of
Clark Hall, the two broke into Wesleyan University’s maintenance tunnels
through the Clark Basement, and hooked the transmitter up to the water
pipes. The old dormitory effectively became an antenna for their 2-4
hour broadcast day. The transmission range was small, the weak AM signal
just barely escaping Clark. But the station quickly became more and more
popular, and the two men met the demand by illicitly running wires to
more and more sections of the maintenance tunnels.
By 1941, they were in negotiations with the fraternity houses across
High Street, who wanted the signal for their parties. But the frat
houses weren’t on the university’s utility grid, so this would require
running wires over High Street. Which would require negotiating with
Middletown, which would, in turn, require official recognition by
Wesleyan University.
The young men approached the president of the university, and explained
the whole endeavor, from the tunnel transmissions to the frat houses.
The president, who could not have been unaware of the stations existence
(his office, after all, was now a part of its antenna), granted them
official recognition, and the station that would become WESU was born.
(Middletown, by the way, denied the station permission to run wires over
High Street.)
This official recognition led, at some point, to official status with
the FCC, and the call letters “WES”
Now, the following is anecdotal, but I feel it captures the attitude of
the station fairly well: at some point in this early history, WES got
bold and hooked their transmitter up to the Middletown water grid.
Seeing as the Middletown grid is not isolated from that of other cities,
and seeing as how most utility grids have evolved over time, have
sections no longer in use, etc., stories would be told of people picking
up WES whose neighbors could not. Listeners miles away elsewhere in the
Connecticut River valley would get a radio station that no one else for
miles around could pick up. After ten years of operation like this, WES
decided to have their transmitter maintained. The engineer working on
the transmitter discovered that, by a fluke of technology, their
transmitter was pushing a shortwave signal at 30 watts—a power at which
shortwave should be audible all the way in Australia.
Do-it-Yourself Radio
Once the station was officially recognized, it quickly became a popular
student group. The early radio pioneers began construction of a
legitimate studio in the basement of Clark Hall. Paying mostly out of
pocket, the early members of WES purchased studio equipment piece by
piece, slowly constructing an elaborate headquarters. Soon after the
anecdotal story above, the station switched to a more powerful broadcast
with an aerial antenna. This antenna was located on the top of the
Wesleyan Science building, connected to the station by wires running
through the maintenance tunnels.
In 1950, revision of the FCC’s rules necessitated four letter callsigns,
and WES became WESU.
Independence and FM
In the period of time after the construction of the Clark studios, WESU
became popular with the surrounding community. They broadcast high
school football games, and the news department covered the Middletown
mayoral elections. WESU was quickly establishing itself as a community
voice and resource, in addition to gaining popularity on campus. In the
late 60’s, the new technology of FM broadcast became a possibility for
WESU. At the same time, the Federal Communications Commission was
establishing new rules for college radio stations. In light of these
things, the board of WESU decided to reevaluate the station as a whole.
They decided to adopt FM broadcast, and to begin negotiations with the
Wesleyan Board of Trustees to privately incorporate and maintain control
of the station. Both of these initiatives succeeded, and in 1967, the
Wesleyan Broadcast Association (WBA) was created as a 501c3 non-profit
incorporation. It’s board consisted of students and one dean—the latter
had only advisory powers and no vote with regard to the station’s
decisions. By 1968, the Section 10 educational FM license (at 88.1mhz),
as well as all equipment and funds related to the station, was
transferred to the WBA. The WBA was also exempt from all rent for the
Clark Hall property. The Section 10 FM license necessitated that the
station be non-profit, so for the first time in its history, the station
could not allow advertisement on its airwaves. Funding thus became
dependent on the Wesleyan student government.
The Arista Boycott
By the late 70’s, WESU had established itself as a home of eclectic
music and the enemy of the Top 40. For those of you new to radio, it’s
common practice for record labels to give free promotional copies of
their newest releases to radio stations in return for airplay (this is
mediated by your friendly Music Director). In 1980, Arista Records
responded to financial trouble in the record industry by revoking its
free subscription service to any college radio station. WESU was
enraged, and then-Music-Director Alex Crippen declared a boycott of
Arista Records. The announcement was published in a few college radio
journals, and soon, many other stations around the country joined it.
The boycott lasted for a year, until Arista started threatening legal
action against larger, university-controlled stations, claiming that
calls-to-action regarding the boycott, broadcast over the airwaves, were
illegal. The validity of these claims was never tested, as the
universities behind these larger stations urged the broadcasters to back
out. The WESU inspired resistance was thus short-lived.
The Demise of the WBA
The 80’s and 90’s were a time of great freedom on WESU. Eclectic music
became more and more a part of the station’s identity; community members
became a more important part of the station, filling DJ positions and
eventually certain positions on the board; and in 1988, block
programming was dropped in favor of Free Form programming, after the
model of stations like WFMU in New Jersey. More people than ever were
free to be a part of WESU, and there were fewer restrictions on the kind
of shows they could produce. But at the same time, the organizational
side of the station was beginning to unravel. The position of the
faculty advisor had long ago passed into obscurity, and though the
station had managed quite well on its own, a series of events put the
station in a tenuous financial position. In 1986, the transmitter
unexpectedly began to falter, and quickly became too unreliable for
constant use. The Wesleyan Administration loaned the station money for a
new transmitter, but at a high rate of interest. The Student Government,
sympathizing with the station, absorbed most of this interest, but the
cost to the station was still about $30,000 spread out over several
years—more than its full annual operating budget at the time. In 1990,
for reasons that are still uncertain, the WBA went under, and the
station was no longer independent. WESU was plunged into organizational
turmoil as it tried to rebuild its financial base.
The board, however, being primarily a student board, had a four-year
turnover of its membership. Thus by 1995, the station was completely
unaware of its tenuous organizational status.
The Move
In 1999, Wesleyan University decided to commence its long-overdue
renovation of Clark Hall. For about a decade, it had been in
communication with WESU, trying to locate another comparable space for
the station’s studios, but all of these conversations had been
inconclusive. In the spring of 2000, the university gave the station all
of ten days notice that it was being moved to its present location at 45
Broad Street, to a studio half the size of the Clark Hall location. The
move was hasty, and the station lost a good deal of music and a lot of
its archived records and documents. The station is still recovering from
the move as I write. The archival project is but one facet thereof.
The License
In 2003, President Doug Bennet of Wesleyan University entered into
negotiations with WESU’s board to acquire the license to 88.1. The
reasoning was that the university was a far more stable institution
financially, and could ensure greater safety for the license.
The General Manager and NPR
In 2004, the board decided that the best way to solidify its
organizational structure was to attend to the four-year turnover. This
would require the creation of a salaried General Manager position, a
person who could make a long-term commitment to stay with the station,
and serve as a resource for the board, conveying experience and station
history from year to year, as well as attending to the daily workings of
the station. The university was approached to financially assist the
station in creating this position, and in 2005, the university, as
license holder, decided that the best way to do this was through
simulcasting the shows of nearby NPR affiliate WSHU, thus receiving a
cut of WSHU’s fundraising. The university, in return for facilitating
the General Manager position, necessitated that the board of directors
become all-student.
The community members who were thus removed from the board created a
501c3 non-profit organization called the Friends of WESU, which serves
as a community run fundraising body, as well as the station’s summertime
board of directors. The student board, for its part, was reorganized to
include archival and fundraising positions.
The Past Year (2005-2006)
WESU has grown a lot in the past year. We held our first substantial
on-air pledge drive last year, and instituted a successful underwriting
program making a very substantial step towards financial stability and
independence. Through negotiations with the university, we have won the
right to once again have Community Volunteers serve on our Board, a
board that has again been reorganized to better handle the new systems
and needs that have come about with our relationship to WSHU and our
attempts at financial and organizational stability and independence.
So this is WESU.
The history of creative, inventive and defiant radio is now yours to
make. Welcome.
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